And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee!"
Tuesday, March 27, 2012
Response to Babbitt and Rochberg: Accessible vs. Alien Styles of Musical Composition
›
Gabrielle Richardson, Contemporary Music (April 12, 2011) The emergence of atonality and serialization in mid-twentie...
Sunday, February 6, 2011
Set Theory, Stravinsky, and "The Rite of Spring"
›
PART ONE Alright, so during the past two weeks, I've been focusing on transitioning from tonal to atonal music. My selected composer w...
Wednesday, January 26, 2011
Abbreviated analysis: Debussy's "La Cathedrale Engloutie"
›
Abbreviated Analysis: Debussy’s “La Cathedrale Engloutie” In terms of a segmented analysis, Debussy’s prelude “La Cathedrale Engloutie”...
1 comment:
Transitional Figures: Foreshadowed Atonality in Strauss, Skryabin, and Debussy
›
Strauss, Skryabin, and Debussy are all considered transitional composers from tonal to atonal music. None accomplished a complete break wi...
1 comment:
Thursday, October 28, 2010
~Upon the Bow~
›
When you’re set upon the bow And know not which way to turn, The seas churl round about you And down is up as up seems down By the desolate ...
1 comment:
Thursday, April 8, 2010
A Chicken's Crow
›
Thrice you denied, twice were promised, once accepted. On a blustery eve as thorny leaves of a tree do blow Does, round the fire, the fatefu...
Home
View web version